Ups, Downs & Homemade Bouillon

When I'm having a better day I am able to think of normal things. Today I cleaned my flat, did two loads of laundry, hoovered the staircase, handed out three cvs, and had a chat with my folks on skype.

I also saw this really amazing recipe for homemade bouillon. Who has a food processor?

Pablo Neruda - Tonight I Can Write

Tonight I can write the saddest lines.

Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.

Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.

She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.

Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.

To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.

What does it matter that my love could not keep her.
The night is starry and she is not with me.

This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.

My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.

The same night whitening the same trees.
We, of that time, are no longer the same.

I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.

Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.

I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.

Because through nights like this one I held her in my arms
my soul is not satisfied that it has lost her.

Though this be the last pain that she makes me suffer
and these the last verses that I write for her.

translated by W.S. Merwin

p.s. thank you, Kashmali

Dream

Today I didn't leave the house at all. I slept most of the day and some time near late afternoon I had a dream about him. In my dream we were in a car together and he said that he hadn't died and it was all an elaborate trick. Then he looked at me with deepest loathing and threatened me.

I woke up in horror.

TTC, why do you hate me?

my bladder is conspiring against me with the TTC. If a street-car breaks down, that's when I really need to pee.

Five King to Broadview street-cars passed me by. I started to feel like I kind of need to pee. Also noticed a lot of cabs going past on Queen - obviously cabbies knew there was a breakdown. Even more ominous than lots of empty cabbies cruising for fares = abundance of occupied cabbies racing past. After half an hour's waiting I got on a Greenwood street-car. I said, 'where are all the other Queen cars that go further?' and the driver refused to take me me seriously. He insisted that A. I haven't been waiting 25 mins, and B. there is no breakdown.

To me this implied that he thinks A. I can't tell time by my watch or B. I can't see street-cars. This also told me that cabbies know things about TTC's status that TTC conductors obviously DON'T.

At the next stop I was vindicated by other freezing cold and unhappy customers, inquiring after Queen street-cars that go further than Greenwood. One of them said to us there's been a breakdown but that was more than half an hour ago. Buses were promised and have yet to materialize. Apparently many people knew about this breakdown, see? Just not the TTC people.

We got dropped off at Connaught. We agreed that the TTC is probably run by apes. We then agreed that this is an insult to ape intelligence.

A car arrived. The conductor was replaced at Connaught by another conductor. They spent a few moments exchanging this info: there's been a breakdown; this is not the street-car you were expecting; look for a street-car with the number xxx and I will give you your transfers.

This then told me that: A. CABBIES KNOW WHAT THE DEAL IS BEFORE TTC EMPLOYEES DO. B. TTC EMPLOYEES HAVE NO BETTERS MEANS OF COMMUNICATION THAN DRIVING SOMEWHERE AND SPREADING THE NEWS IN PERSON.

It seems that the TTC exists in an alternate universe where technology has yet to move to a stage of information/communication proliferation.

Apparently TTC employees don't have telephones - mobile or otherwise. Perhaps they prefer pigeon post? Apparently it's ok to just take your time and let the news travel on a delayed schedule rather than to call someone at Connaught and say 'Look, there's been like, a major breakdown. Maybe you should get into a street-car, fire up the old girl, and be the hero of the day from Connaught to Long Branch.'

Or, dare I suggest something even more obvious? Ring up one of the drivers on the King to Broadview street-car on his mobile phone, and suggest: 'How's about going East on Queen on the spur of a moment eh? Live dangerously, and save our customers from freezing to death trying to get home. How's that for shaking up the old routine?'

But no, that would have been far too obvious.

And all this time waiting and stamping my feet and having my intelligence insulted by conductors - I really had to pee. Most uncomfortable.

My two selves

After we spoke I spent two days holed up at home, alternating between crying my eyes out and being totally emotionally drained. The rest of the time I spent sleeping.

I had a dream. You came to visit me, and we were hanging out and being really happy and laughing a lot (bork). Then I had to leave the room for a second and I thought I could just come back and find you there. But when I tried to leave you started to cry and I realized that you had come to say goodbye - that when I came back you wouldn't be there anymore. Just when I decided not to go and started to put my arms around you, I woke up.

In my dream I also thought I could hear you breathing. When I woke up I realized that it was the sound of my own breath.

I feel a bit like two different people. My emotional self resolutely refuses to comprehend why we can't be together - why I am not where you are. My rational self continually tries to explain (as though to a slightly feeble-minded younger sibling) why this is better for both of us.

I'm not sure my emotional self is taking any of it in.

Lately it's so quiet

Obviously, for you (one last time)

i love you much(most beautiful darling)

more than anyone on the earth and i
like you better than everything in the sky

-sunlight and singing welcome your coming

although winter may be everywhere
with such a silence and such a darkness
no one can quite begin to guess

(except my life)the true time of year-

and if what calls itself a world should have
the luck to hear such singing(or glimpse such
sunlight as will leap higher than high
through gayer than gayest someone's heart at your each

nearness)everyone certainly would(my
most beautiful darling)believe in nothing but love

- e. e. cummings

搜神記

魏景初中，咸陽縣吏家有怪。每夜，無故聞拍手相呼，伺，無所見。其母夜作，倦，就枕寢息。有頃，復聞竈下有呼聲曰：「文約何以不來？」頭下枕應曰：「我見枕，不能往。汝可來就我飲。」至明，乃飯臿也。即聚燒之，其怪遂絕。

摘自 搜神記

In the middle of the Jingchu era in the Cao Wei Empire, strange events occurred in the home of the magistrate of Xianyang. Each night, inexplicable sounds of revelry could be heard; however, nothing can be observed despite lying in wait. The mother of the magistrate was up one night until she became tired, whereupon she rested her head on a pillow. After a while, there came a call from under the stove: ‘Why do you not come as arranged?’ The pillow beneath her head replied: ‘I am being used as a pillow, and I cannot come. You could come and drink with me here.’ In the morning, the rice-scoop was discovered to be the pillow’s interlocutor. They were gathered together and burned, after which these strange occurrences ceased.

excerpted from In Search of the Supernatural (4th Century Chinese Compilation)

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A friend of mine felt that perhaps a pillow and a rice-scoop are symbolic. My inclination is to say that they are more akin to tsukumogami ('artifact spirits'). According to Wikipedia:

Though by and large tsukumogami are harmless and at most tend to play occasional pranks on unsuspecting victims, as shown in the Otogizōshi they do have the capacity for anger and will band together to take revenge on those who are wasteful or throw them away thoughtlessly. To prevent this, to this day some Jinja ceremonies, such as the Hari Kuyou, are performed to console broken and unusable items.

It is said that modern items cannot become tsukumogami; the reason for this is that tsukumogami are said to be repelled by electricity.^[1] Additionally, few modern items are used for the 100-year-span that it takes for an artifact to gain a soul.

Another story in a different compilation of supernatural stories I came across features an old pillow (belonging to the ancestors of the protagonist) which has assumed human form. This human figure has no facial features (presumably because pillows are flat and featureless). This pillow got burned too - because someone said that it is evil and will be murderous (the idea is that the longer you leave these objects they older and more powerful they become?).

My general impression of tsukumogami is that they are rather ambivalent - they can be good or bad. So maybe burning them is the safer option.

The idea that objects have life and feelings and don't like to be wasted reminds me of this Spike Jonze IKEA advert.



The idea that the new one is much better is obviously quite consumerist. Are tsukumogamis everywhere crying for the little lamp?

All kinds of crazy

Remember that time when I rang to say that I wasn't well and I wasn't coming? And you asked if I wanted you to come over and I said no, it's fine? Then I rang you later and got mad at you for not coming over to look after me? Then you came and I gave you a hard time?

I was visiting my granny last week, and she told me that she hurt herself in the garden the other day. She didn't tell my aunt and uncle because she doesn't like them (even though they're fine - in fact, they're like, really nice). Then she told her neighbour and he took her to the hospital and she got stitches and then she got back home. Then my aunt (who heard through the grapevine in a small village) rang up to ask if she was ok and she said yeah it's not a big deal don't worry about it. So they thought it wasn't a big deal. Then she said that nobody cares about her because no one in her family took her to the hospital and no one in her family came to visit. Even though A. she didn't tell anyone in her family - they found out through other people and B. she told them that it was fine and they shouldn't worry. Now she's telling everyone about this and saying that they don't care about her.

I heard this and was like Wow, that is so crazy. Then I thought OH MY GOD I'm totally crazy like her. Then I wanted to ring you up and apologise for putting you through all that and giving you a hard time, and thank you for putting up with me. If I remember correctly we had a very good day together the next day, and when I woke up next to you I was happy.

Best for Last, by Adele

Hello & Goodbye

Dear 2009:

You were so good to me in so many ways. Thanks for that. As for the shite parts, well, they're not your problem now.

Dear 2010:

So far you've been a bit of a trial though maybe that can be chalked to PMS. But either way I won't judge you on your performance by one day alone. So, er, let's make it a good one, shall we?

Start, Stomp!

Here's a simple little 20's charleston routine I made up and taught in Taipei recently. It was great to see that our little swing scene is still going strong. I'm especially proud of the complete beginners who turned up and stuck through the 2 hours with me - thanks everyone :) It was fun!

Form & Deform

[Deformscape by Faulders Studio]

This makes me feel slightly motion sick just to look at it. But I love the concept.

[Deformscape by Faulders Studio]

[Deformscape by Faulders Studio]

I like...

this cable drawing by Maisie Maud Broadhead. [via Today & Tomorrow]

It's all in the eyes

I came across the illustrations of Julie Colombet via Drawn, and really liked how she does the eyes of her characters. Being slightly obsessed with anthropomorphism, I've noticed that so much of what I read into the expression of a character (be it a human, an animal or inanimate object) is determined by how the eyes are rendered. Somehow her style of eyes look to me to be slightly alarmed and wary - perhaps it's the dark shadow under the eyes and the fact that the direction of the gaze is often averted from the viewer? Anyway, lovely illustrations to share with you.

[Julie Colombet via Drawn]

[Julie Colombet via Drawn]

[Julie Colombet via Drawn]

[Julie Colombet via Drawn]

Another series of children's illustrations I'm keen on is from Good as New (written by Barbara Douglass, & illustrated by Patience Brewster). It's a story about a boy and his teddy-bear. I'm not overly fond of the human figures - but I love how the teddy is always looking at the boy (often with love and adoration, like below). Kind of like a Calvin & Hobbes thing... Here's some pictures from it.

[from Good as New illustrated by Patience Brewster]

[from Good as New illustrated by Patience Brewster]